10 September – 12 November 2022
Two leading Australian artists explore complex and varied perspectives on colonisation, with an emphasis on the experience of women.
Watson, a Waanyi woman, based on Jagera/Yuggera and Turrbal Country of Meanjin/Brisbane and Johnson, a second-generation immigrant of Anglo descent based on Wurundjeri Woiwurrung Country in Naarm/Melbourne, have each developed new works that speak from their individual and Ancestral cultural experiences living in Australia. Originally commissioned by the National Gallery of Australia for the Know My Name program, and as part of the Balnaves Contemporary Series, at MUMA this exhibition is brought together with existing works by each artist that explore the significance of family and motherhood, the importance of matrilineal lineage, and the tensions between individualism and connectedness.
While the red thread of history, loose ends brings disparate histories and subject positions into proximity, it also celebrates the artists’ shared love of materiality. Watson and Johnson engage with the cultural and political significance of image and mark making, with both addressing the relationship between layering and memory, body and material. Working primarily across painting and printmaking, their works individually and in conversation draw on colonial archives, reclaiming female experiences and perspectives. Both artists acknowledge the ongoing nature and legacies of colonialism and the importance of making change.
At MUMA Judy Watson & Helen Johnson: the red thread of history, loose ends is accompanied by Judy Watson’s recent publication skullduggery (2020) and a new artist’s book by Helen Johnson made with MUMA and Negative Press.